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by Lindsay Buchman
From SUNSTRUCK, which contains archival photographs and writing triangulating land and seasickness, the horizon line, and the language of distance and desire. Including a 1000-word essay, 49 figures from 1916-2018, and notes on provenance, the publication engages the physiological nature of disorientation while calling into question the mutability of time, photography, and sight.
Double-sided newspaper broadsheet, digital offset, 27.75 in. x 19.75 in., edition 300, 2019
© LINDSAY BUCHMAN